American Car and Foundry Company is a manufacturer of railroad rolling stock and railcar parts, founded in 1899. In the company's early years, American Car and Foundry Company constructed its railcars from wood. Additionally, the company engaged in architectural millwork for buildings. This collection features twenty-five copy photographs of building interiors and exteriors with emphasis on wooden architectural elements.

Buckley Music System, Inc. was a manufacturer and distributor of jukebox music systems for businesses. This album is a salesman sample catalogue marketing the Buckley jukebox system for restaurants, bars, and clubs. The album consists of thirty-two photographs showing the interiors establishments who have implemented the system.

E.I. du Pont de Nemours & Company is a chemical company. In 1910, the DuPont Company purchased the Fabrikoid Company of Newburgh, New York, which had developed a textile coating process. This item is a portfolio of separate pages with two photographs per page placed in a folder made of blue Fabrikoid. The photographs illustrate Fabrikoid, a DuPont Company artificial leather material, used as upholstery and in a variety of commercial and residential interior applications.

Eileen Gray (1878-1976) is considered one of the most important and influential furniture designers and architects of the early twentieth century, inspiring both modernism and Art Deco movements. She was among the vanguard of the International Style in her use and interpretation of geometric forms and industrially produced materials. This collection is a boxed set of postcard-size reproductions of black and white photographs of houses, rooms, and objects designed by her.

The Everett Worthington Inc. records contain correspondence, purchase orders, design requests, and contractual letters. Clients include, but are not limited to, Stromberg-Carlson, Cincinnati Victor Company, Coca-Cola, Toastmaster, Story & Clark Piano Company, Gillette Safety Razor Company, Robert W. Irwin Company, Waterbury Clock Company and General Motors. Renderings, sketches and photographs detail completed projects. Chicago's 1933 A Century of Progress International Exposition, and the 1936 Great Lakes Exposition in Cleveland, Ohio are well represented. Everett E. Worthington was an industrial designer whose career began in 1915 in San Francisco, and continued in Chicago and New York City.

The Lake Mohonk Mountain House was a noted summer resort hotel located on Lake Mohonk in the Shawangunk Mountains of Ulster County, northwest of New York City. The collection consists of tear sheets from the trade press, advertisements, trade literature, trade catalogs and other publications collected by Daniel Smiley (1796-1878), former manager of the Lake Mohonk Mountain House, in the course of planning and executing new projects, maintaining the building and grounds, and purchasing new furnishings and equipments. This material is accompanied by fairly routine letters of request and replies from sales representatives. There are also some copies of hotel menus and programmes for social events.

This is a collection of photographs and drawings of interiors designed by the firm of Lyman W. Cleveland, Interior Architecture & Design, of Philadelphia, Pennsylvania.

Raymond Loewy (1893–1986) was one of the most well know industrial designers during the middle decades of the twentieth century. This collections consist of the Loewy's personal papers, business records, and materials generated and maintained by Loewy's New York Public Relations Department.

The Masonite Corporation was a construction and interior design company established in 1925 by William H. Mason (1877-1940) as the Mason Fibre Co. This item is a sponsored public relations film by the Masonite Corporation about their advanced production of wood products that are "wood better than wood." The technology of wood and creative industrial process of creating 'hardwood,' siding, panelling, and a great range of products.

The William Pahlmann papers provide a rich insight into the world of interior design in the middle of the twentieth century. Pahlmann (1900-1987) was well known for his use of bold colors, textures and mix of antique and modern furnishings. Stressed in all of his work, were the conventions of comfort and functionality as well as his clients individual tastes. The William Pahlmann Papers are organized into thirty unique series of varying sizes. The papers are organized into correspondence, publicity files, renderings, samples, artifacts, design plans, and client invoices.